fig.1, Aaron Amar Bhamra, to whisper, 2025-2026, Particle boards with the dimensions of for S—M—P, 2025, screws, cut out exhibition text from The title of the exhibition is the first sentence of the text by J., 133,8 x 14 x 15,8 cm

Louis De Mey, Martin Germann, Sebastian Koeck, Michal Leszuk, Céline Mathieu, Koi Persyn
the page you read, 2026
Refs. (in order): Paul Valéry, Eupalinos ou l’Architecte, 1921; Jean-Luc Nancy, Wozu braucht man Kunst?, Staatliche Akademie der Bildenden Künste Karlsruhe, Riemschneider Lectures, 2017; Peter Cornell, The Ways of Paradise: Notes on a Lost Manuscript, translated from the Swedish by Saskia Vogel, Fitzcarraldo Editions, London, 2024. Originally published as Paradisets vägar: Noter till ett förlorat manuskript, 1987; Henri Bergson, Matter and Memory, 1990; Peter Handke, Repetition, 1986; Hélène Giannecchini, An Army of Lovers Cannot Fail, 2026.

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fig.3, Aaron Amar Bhamra, days, 2025, Leftovers from a tear-off calendar, plate, Various dimensions

fig.5, installation view, The title of the exhibition is the first sentence of the page you read, BEIGE, 2026

fig.6, Aaron Amar Bhamra, Arrangement of paintings in the Reggia, six works in two exhibitions, or the page you read, 2026, Print on paper, pen on sticky note, 25 x 35 cm (framed)

fig.7, Aaron Amar Bhamra, untitled, 2025, Wood stretchers, wood glue, textile, pencil, white wall paint on paper packaging, 25 x 7,5 x 2,5 cm

fig.8, installation view, The title of the exhibition is the first sentence of the page you read, BEIGE, 2026

fig.10, Aaron Amar Bhamra, 2024, 2026, Print on photo paper, plastic packaging, staples, magnets, 16,8 x 4,7 x 1,5 cm

Weiter
Weiter

Artist Lecture Series Vienna, 2026